Consulting
Advising independent studios and distributors on theatrical positioning, campaign strategy, and PVOD/streaming windowing.
Roughly 200 campaigns, a vast range of functions. The kind of range that adapts fast and plays well on a team.
I’ve held a lot of different roles across film and entertainment marketing, strategy, and research. The throughline isn’t a title, it’s range, and the adaptability that comes with it.
Campaigns from awards titles to franchise tentpoles, across positioning, 360 strategy, audience research, paid media, P&A, and digital.
I learn fast, I collaborate easily, and I’m genuinely happy doing the work, not just directing it.
Audience research and competitive analysis informing greenlight, positioning, and slate decisions at the studio level.
Positioning from greenlight to release. The angle a film travels on, anchored to audience and competitive landscape.
Integrated paid, earned, owned, and partnership programs across creative, media, publicity, social, and distribution. Audience meets the film everywhere.
Theatrical, hybrid, day-and-date, and streaming-window plans. Sequenced to audience, platform, and slate economics.
Prints-and-advertising plans across lean and large budgets, modeled and tracked weekly against performance.
Trailers, TV spots, key art, full digital asset suites. Direct creative shops; review every frame.
Channel mix, flighting, and audience targeting across digital, social, programmatic, and platform-direct. Announcement through opening weekend and the streaming window.
Press tours, premieres, embargoes, filmmaker and talent handling.
Campaign architecture from festival debut to ballot deadline.
Tracking, screening, and competitive analysis modeled at title and slate level across theatrical and streaming.
Multi-territory campaigns across theatrical and streaming. Distributor partnerships, localization, talent deployment, and PR sequenced market by market.
Platform-native creative across Instagram, TikTok, YouTube, X. Campaign architecture from first-look reveal through opening weekend and the streaming window.
Filmmaker, talent, and creator activations sequenced to campaign milestones. Earned media that compounds awareness.
First-to-market platform programs, from a studio’s earliest online launches through today’s PVOD, streaming, and platform-direct activations.
Windowing strategy, hybrid release campaigns, and audience routing across distribution windows.
Selection, scoping, and oversight of digital creative shops, social agencies, and influencer firms. Held to scope and spend.
Several simultaneous releases, each on its own clock, one team.
Legal, finance, sales, distribution. Marketing that reflects the deal.
Ingestion, versioning, localization, delivery.
Advising independent studios and distributors on theatrical positioning, campaign strategy, and PVOD/streaming windowing.
Led theatrical positioning and campaign strategy for an emerging independent studio.
Ran theatrical and PVOD marketing for a boutique distributor across publicity, paid media, exhibitor marketing, social, and digital. Partnered with Universal Pictures Home Entertainment on integrated theatrical/PVOD windowing.
Worked across global marketing, publicity, and consumer products for Miramax film and television through a period of ownership transition, including positioning and campaign strategy on The Beekeeper, The Gentlemen, Wrath of Man, Halloween Kills, and Here, plus international marketing, sales, and distribution.
Research and audience strategy for the Motion Picture Group across franchise and breakout releases: John Wick, The Hunger Games, Now You See Me, La La Land, Sicario, Wonder, Hacksaw Ridge, and the Tyler Perry franchise. Founded and launched Lionsgate Premiere, the studio’s specialty and day-and-date distribution arm.
Marketing strategy on Academy Award-winning and commercially successful titles: The Artist, Django Unchained, Silver Linings Playbook, and The Iron Lady. Worked across creative advertising, publicity, and media. Partnered with senior leadership on title positioning and market entry.
Co-founded a boutique agency built for prestige and breakout film campaigns across independent and studio-backed releases. Led marketing and awards strategy alongside distributors, PR teams, and filmmakers.
Built Lionsgate’s first dedicated digital marketing function. Launched the studio’s earliest online, social, and interactive campaigns. Integrated digital into theatrical and home entertainment as a core campaign layer, not a bolt-on.
Still here? If you want a little more, here’s a short reel of where I’ve learned and worked, and some of what I’ve worked on.